The music of James Bond part three: Connery's return and Moore's entry
In the third of a series of blogs, Thorsten Krings looks at Paul McCartney and "fifth Beatle" George Martin's work on the blaxploitation-influenced Live and Let Die
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The music of James Bond part two: George Lazenby's OHMSS
In the second of a series of blogs, Thorsten Krings looks into the music of the glorious OHMSS
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The secret's out: For Your Eyes Only is fab
David Crosbie takes a very serious look at the film that brought seriousness back to the Bond series: For Your Eyes Only
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The music of James Bond part one: The Connery era
Thorsten Krings dissects each Eon Bond actor's accompanying theme songs in part one of a series of blogs
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Bond villains of the '70s: Moonraker
The end of the 1970s saw the end of Jaws (not the shark films — there would still be two monstrosities to come in 3-D and The Revenge)
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